Molly Furey: ‘Edna O’Brien was never really convinced that Ireland had changed. Neither am I’

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The acclaimed writer became a symbol of a transformed Ireland – but she also refused to accept that Ireland could ever stop transforming

Edna O’Brien pictured in 2009. Photo: Getty

I do not remember when I first read Edna O’Brien. She was just always there. Someone I read. Someone I idolised.

Reading The Country Girls is a rite of passage for any Irish woman. I first encountered the trilogy as a record of a vanishing past. It was clear to my teenage self that my experience of growing up in Ireland in the 2000s was dramatically different to that of O’Brien’s protagonists Cait and Baba. I read the book as a story of another Ireland, one that my grandmother had endured, my mother had experienced the remnants of, and that I had luckily escaped. Times had changed – and the books were a warning to be grateful for the extent to which they had.



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Molly Furey: ‘Edna O’Brien was never really convinced that Ireland had changed. Neither am I’
Independent.ie

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